Two Triangles (for solo multipercussion)
Two Triangles (2022) for solo multipercussion. Addressing the dearth of pre-Baroque percussion repertoire, percussionist Sam Carullo asked for a piece that would contend with some aspect of early music. This piece uses the Ars Nova-era concept of isorhythm, which is a single rhythm that persists in one voice throughout a work. Isorhythm was often used invocal music. A long-short-short-long rhythm is omnipresent throughout Two Triangles, appearing in many voices, tempos, and prolation levels. Please USE THE CONTACT FORM to get in touch about purchasing.
Two Triangles (2022) for solo multipercussion. Addressing the dearth of pre-Baroque percussion repertoire, percussionist Sam Carullo asked for a piece that would contend with some aspect of early music. This piece uses the Ars Nova-era concept of isorhythm, which is a single rhythm that persists in one voice throughout a work. Isorhythm was often used invocal music. A long-short-short-long rhythm is omnipresent throughout Two Triangles, appearing in many voices, tempos, and prolation levels. Please USE THE CONTACT FORM to get in touch about purchasing.
Two Triangles (2022) for solo multipercussion. Addressing the dearth of pre-Baroque percussion repertoire, percussionist Sam Carullo asked for a piece that would contend with some aspect of early music. This piece uses the Ars Nova-era concept of isorhythm, which is a single rhythm that persists in one voice throughout a work. Isorhythm was often used invocal music. A long-short-short-long rhythm is omnipresent throughout Two Triangles, appearing in many voices, tempos, and prolation levels. Please USE THE CONTACT FORM to get in touch about purchasing.